Sunday, December 29, 2019

Analysis Of The Film The Golden Girls Essay - 1149 Words

Since the age of nine, I ve had a dream of becoming a screenwriter, and a movie producer. Where others only want to see a show or a movie, I have always wanted to be behind the scenes in the creation of the art. Being behind the scene and being involved in the creation of the film has always fascinated me. When I was a in 3rd grade I remember watching the Golden Girls. One Saturday morning, I turned to Lifetime, and there was an elderly lady who was so short and cute, I just could not turn the channel. The woman’s name was Sophia and she made me laugh from the time I had started watching the TV show until it had gone off. That day Lifetime was running a marathon of the Golden Girls; those four ladies made me giggle, and smile. So it was then that I started to wonder about who is behind the TV shows and movies, because I saw myself being that person. At that time I did not know about a producer or film maker all that I knew is that I wanted to become a part of tv shows. The Go lden Girls made me want to have my own TV series that was just as funny, and that would make people laugh just as I had done when I watched it. I began carrying a notebook and a pen everywhere I would go. I would jot down funny lines, and different ideas for scripts for a movie or a TV series. I then realized that I wanted to become a screenwriter and a film producer. As a screenwriter, I want to create TV series that brings joy and comfort to all people, no matter what. My goal as a screenwriter andShow MoreRelatedPans Labyrinth Film Analysis Essay1208 Words   |  5 PagesVanessa Salfen 6/29/2012 Visual Analysis Pan’s Labyrinth: A Visual Analysis Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. 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Saturday, December 21, 2019

Descartes Ontological Argument For The Existence Of God

Section 6 Matthew Shields Word Count: 10/30/2014 Descartes’ Ontological Argument for the Existence of God The Ontological Argument for the existence of God is an a priori argument that aims to demonstrate that God’s real-world existence follows necessarily from the concept of God. In Meditation V of Discourse on Methods and Meditations on First Philosophy, Descartes presents his version of the Ontological Argument for the existence of God. In this essay, I will argue that this argument fails because necessary existence for a concept does not entail its real world existence. Descartes argument for the existence of God relies on two key assertions: 1. His understanding of God as an infinite, independent being. 2. His claim that existence is a perfection. In Meditation III, Descartes clarifies his understanding of God to be â€Å"a substance that is infinite, eternal, immutable, independent, supremely intelligent, supremely powerful, and which created both myself and everything else (if anything else there be) that exists.† It is important to note that in speaking of God as infinite, Descartes seems to mean that God is infinitely perfect. He asserts â€Å"God, I take to be actually infinite, so that nothing can be added to his perfection.† (p. 32) Descartes understands God as a uniquely infinite and independent entity that exists by its own nature. By contrast, all other entities are finite and contingent beings that must depend on another entity for their existence. ThisShow MoreRelatedThe Ontological Argument For The Existence Of God1509 Words   |  7 Pages Descartes’ ontological argument is an echo of the original ontological argument for the existence of God as proposed by St. Anselm in the 11th century. T o illustrate the background of the ontological argument, Anselm’s argument works within a distinct framework of ontology that posits the existence of God as necessity by virtue of its definition. In other words, for the mind to conceive of an infinite, perfect God, ultimately implies that there must indeed be a perfect God that embodies existenceRead MoreDescartes Meditations On First Philosophy1712 Words   |  7 PagesDescartes’ Meditations on First Philosophy (1641) contains six Meditations. In the first two of these Descartes addresses doubt and certainty. By the end of the second Meditation Descartes establishes the possibility of certainty by concluding that he is a â€Å"thinking thing† and that this is beyond doubt. Having established the possibility of certainty, Descartes attempts to prove the existence of God. The argument he presents in the Third Meditation for the existence of God has been nicknamed theRead MoreDescartes Fourth Meditation On The Existence Of God1382 Words   |  6 PagesIn Descartes’ Fifth Meditation, he delivers an argument that has come to be known as the Ontological Argument. It is here that Descartes argues for the existence of God, through a priori reasoning. In order to understand both the strengths and weakness of this argument, I will first break it down into its main premises. From here, I will argue that despite the simplicity and use of reasoning in the argument, the weaknesses outweigh the strengths, and ultimately that the argument fails. To allow forRead MoreDescartes Ontological Argument Essay1019 Words   |  5 Pagesreligion, one of Descartes’s most famous arguments is his Ontological proof for the existence of God. It is a proof that one can know God a priori, with no experience whatsoever. Countering Descartes, a philosopher named Caterus raised key objections to his proof, which Descartes later responded to in an intriguing way. Descartes’s reply to Caterus’s critique of the Ontological argument does not properly refute the objections made. Descartes’s Ontological argument begins with the idea of that which isRead MoreEssay on The Ontological Argument1589 Words   |  7 PagesThe Ontological Argument The Ontological argument is a group of different philosophers arguments for the existence of God. Ontological literally means talking about being and so in this case, that being is the existence or being of God. The main component of the Ontological argument can be found in the Anselm’s Proslogion which is a short work that tries to demonstrate both the existence and the nature of God. His main aim in writing the Proslogion is not to directly prove the existence ofRead MoreOntological Arguments for the Existence of God Essay1603 Words   |  7 Pagesfifth Meditation, Descartes presents his second argument for the existence of God. Descartes holds that existence is perfection and so, it can be a predicate for God. I will first explain what is the ontological argument for the existence of God. Next, I will discuss why Descartes decides to bring God into His method of philosophy. I will then try to argue that existence is a perfection and that as a predicate for God, existence reveal certain true about God. Ontological argument tries to prove theRead MoreWilliam Robertson Smith, A Scottish Orientalist, Old Testament1692 Words   |  7 PagesThe god can no more exist without his people than the nation without its god. This quote means that the amount of belief that people have on God reflects on how much hope God has for a nation. 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FollowingRead MoreDescartes Cosmological And Ontological Arguments Are Well1455 Words   |  6 Pages Descartes Cosmological and Ontological arguments are well organized and are perceived as valid. However, these arguments may be found valid only if we follow the rules of Descartes premises through deductive reasoning. The soundness of Descartes Ontological and Cosmological arguments are questioned in this paper as I argue against Descartes axioms. Descartes bases his proofs of God on specific propositions and his own claims of knowledge. The lack of proof behind his premises is why I cannot exceptRead MoreEssay about Ontological Argument Critique 857 Words   |  4 PagesThe existence of God is a much debated philosophical argument that has mystified philosophers since the age of the ‘Enlightenment.’ Many of the different arguments put forth and analysed though, have not adequately proven God’s existence. Although in order to move forward, failed arguments must be studied to ensure that mistakes are not repeated. One such argument is the Ontological Argument. This argument was first recorded by St. Anslem (1033-1109). Descartes adapts this argument in the fifth

Friday, December 13, 2019

Popular East Asian Cinema Free Essays

Introduction Wong Kar-Wai breakthroughs the boundaries of genre film, the narrative style and the efficiency requirements of the market. Wong’s movies always based on Wong’s thinking and bring out the signification. Although the movie themes are the popular, but the films are full of vitality and spirited improvisation. We will write a custom essay sample on Popular East Asian Cinema or any similar topic only for you Order Now I want to have a brief study of Wong Kar-wai’s background and focus on Wong’s theme and style study and analysis from different films such as ‘As Tears Go By’, ‘Chungking Express’, ‘In the Mood For Love’ etc. As ‘In the Mood For Love’ is my favorite movie of Wong Kar-Wai, I want to have a further study of this film and have a deeper understand about the theme, the function of music, Hong Kong people’s living during 60s. Background Wong Kar-Wai was born in Shanghai in 1958 and moved to Hong Kong when he was five years old. These five years in Shanghai had influenced Wong Kar Wai’s creativity in his films such as the scenes, lifestyle and so on. The interview by New York-based Bomb Magazine (Stephen Teo, WONG KAR-WAI P.50) described the creative subconscious of Wong ‘His father was an ex-sailor, who later worked as a nightclub manager, and his mother was a housewife. From what can be discerned in Days of Being Wild and In the Mood for Love, both films that could be described as roughly autobiographical, sense of nightclubs, gossiping housewives playing mahjong and living the life of a sailor drifting from one place to another, are the kinds of experiences of growing up that are etched in Wong’s creative subconscious.’ After the graduation in Hong Kong Polytechnic University, he started working in TVB, Hong Kong’s premier TV station as a production assistant and received the appr eciation from Kam Kwok Leong who is a famous cross-media worker of director, actor and screenwriter in Hong Kong, Wong Kar-Wai accessed a large number of creative opportunities to contributed his ideas to a script. He also worked in different kinds of genres such as comedy, cop thrillers etc. In 1987, Alan Tang Kwong-Wing (famous producer, actor and director in Hong Kong) found Wong’s Talent after he wrote the ‘Flaming Brothers’. After that, Alan Tang sponsored Wong’s first movie – ‘As Tears Go By’, it is also the starting point of Wong’s director career. Alan Tang sponsored Wong once again in 1990 for ‘Days of Being Wild’. ‘Day of Being Wild’ had spent forty million but the box office was only nine million. Although the box office was disappointed, Wong won the Best Director in Hong Kong Film Award in 1991. Theme Hong Kong cinema is very concentrate at entertaining. Scriptwriter will pay more attention to the audiences about their preferences and aesthetic views. Movie’s ornamental is the priority for the success of the commercial movies. Most of the directors are not limited by the country, nationality, history and religion. Therefore, when the directors are choosing the topic, they will mainly focus on the packaging of the movies. Hong Kong cinema can be defined as ‘art with commercial’ or ‘commercial with art’. After the development year by year, Hong Kong movie formulated a fixed narrative style for catering to the audiences. Stephen Teo (2005, P.15) mentioned about the formula of Hong Kong movies ‘The nature of Hong Kong cinema concerns the way the industry follows commercial trends and makes films according to a formula’. Most of the movies will follow the timeline to tell the story, but Wong broke the rule at that time. ‘Days of Being Wild’ is a very good example. He ignored the narrative law of the plot, so he can not only having a wider freedom for the selection of the forms and materials, but also make the film became more artificial as you can see Wong Kar Wai’s elements in the movie. He also breaks the circulation and causal chain of Hong Kong cinema’s narrative structure. In ‘Days of being wild’ is tended to show people’s daily life with uncompleted storyline and transformation. ‘Days of Being Wild’ received the spirit of the new wave of Hong Kong cinema. ‘A Better Tomorrow’ and ‘As Tears Go By’ After five years in 1980, there was a new hot wave of ‘Hero Movie’, which started from John Woo’s ‘A Better Tomorrow’. In ‘Hero Movie’, ‘Hero’ means the leader of triad instead of police. The brotherhood in ‘Hero Movie’ replaced the strangeness plot of gangster film. The scene in ‘A Better Tomorrow’ was happened in Hong Kong in 1986; it is all about a man keeps chasing personal loyalty, self-esteem, self-confidence and status. The society background usually is simple in ‘Hero Movie’; it doesn’t emphasis the contradiction between society and people. In ‘A Better Tomorrow’, it is all about the love between father and son, brotherhood, friendship, relationship, injustice and revenge. It created a fairy story of a real ‘Hero’. Wong’s ‘As Tears Go By’ is the variation of ‘Hero Movie’. The plot of ‘As Tears Go By’ is build-up on the brotherhood of Wah and Fly under the contradiction between police and triad. Merely, Wong moved the spirit of the brotherhood between Mark ‘Gor’ Lee and Sung Tse-Ho to Wah and Fly in ‘As Tears Go By’ who shot by his brother at the end. Wah is not only accomplished the brotherhood but also shows that even ‘Hero’ can’t accomplish great things gloriously. In these two films, ‘A Better Tomorrow’ is full of idealism of justice and ethics. Under the packaging with violence, the world in ‘Hero Movie’ is having a clear definition of good and evil and the desire of justice, such as Mark ‘Gor’ Lee and Sung Tse-Ho are killing the enemies together and died eventually with brotherhood, friendship and relationship. Scriptwriter arranged them died with glory. It tur ns Mark ‘Gor’ Lee becomes the hero in the legend. Merely, the Hero’ in ‘As Tears Go By’ can’t. The dead of Wah and Fly not only breaks the rule of ‘Hero Movie’ and reached the dim of the persist of life but also shows sentiment of anti-heroism. The position of the female role in ‘A Better Tomorrow’ and ‘As Tears Go By’ are having an obvious different. In ‘Hero Movie’, the function of the female is to set off the masculinity and brotherhood. However, the female in ‘As Tears Go By’ doesn’t help a lot to the destiny of the male, but they acted an important role between the developments of the relationships. If ‘Hero Movie’ praised the brotherhood, ‘As Tears Go By’ shows Wong’s persistent of love theme. When the male died, he just laid on the street without glory. Surprisingly, the last thing he was thinking was the kiss scene with his love on the street. It shows a rare but typical romantic scene in ‘Hero Movie’. Under the treatment of romantic style, it is sensitive and imaginative. From ‘As Tears Go By’, we can see Wong’s combined genre and the ambition of the theme vision. ‘Chungking Express’ Chungking Express’ is the third movie of Wong Kar Wai. The conservative atmosphere surrounded the movie market in Hong Kong at that time, but Wong dared to restructure the genre of gangster movie and romantic movie. Generally in gangster films, police are always upright and gangsters are always bad. The dramatic elements are from the justice and interest between police and gangsters. The first part in ‘Chungking Express’ breaks the narrative rule about police chasing the gangster. It is about the relationship of the strangers, Cop 223 and the unnamed female drug dealer; their relationship seems getting start but also will be end soon. In part 2, Wong even cut the part of gangster and make it as a complete romantic story between Cop 633 and Faye. Wong had his own rationale for the emotional relationships in the film (Stephen Teo, Wong Kar-Wai 2005, P.20) ‘It’s very difficult to describe why a man likes a woman, and the deep feelings between two brothers, and so on. They are all very subtle. But I wanted to put forward the proposition that time is the biggest factor. ‘Chungking Express’ proved that Wong is not only live in his own narcissistic, but also the creativity in the movie that Hong Kong people can feel and understand about. It is valuable that Wong’s being loyal to his personal feeling about Hong Kong and the p eople who are living in Hong Kong. The modernity in ‘Chungking Express’ is very strong, it makes people believe that Wong can catch the thought of the adult and teenagers more than other directors. Wong Kar Wai expressed the loneliness and the unstable status of the relationships about the people who live in this city. Wong Kar-Wai said (David Bordwell, Planet Hong Kong Popular Cinema and the Art of Entertainment, 2000, p.283) ‘the two stories are quiet independent. What puts them together is that they are both love stories. I think a lot of city people have a lot of emotions but sometimes they can’t find the people to express them to’. It is the main reason of the success of ‘Chungking Express’. ‘Happy Together’ In 1994, Peter Chan who is a famous director and producer in Hong Kong and Tsui Hark filmed ‘He’s a woman, She’s a man’ and ‘The Lovers’. It started to involve the gay elements in a film, but they didn’t have an in-depth description of homosexual relationship. Following Peter Chan and Tsui Hark, other directors started filming the similar theme. Homosexual movie became a semi-major movie theme in 90s. Comparing with Wong’s ‘Happy Together’, he breakthroughs the bias and negative render in the common homosexual film in Hong Kong. ‘Happy Together’ is about two Hong Kong people living in Argentina and describe their romantic and emotional expression. There are many daily life dialogues and plot design. ‘Happy Together’ ignored the consideration of social dimension by using the location (Argentina) to point out the axis of the relationship between the characters. Comparing with the conservative atmosphere in Hong Kong cinema, Wong Kar Wai keeping his experimental development to the popular Hong Kong movie genre and the vision of the theme. The genre of movies he had breakthrough are ‘Hero Movie’, gangster movie and semi-popular and controversial movie such as homosexual theme. In fact, Wong infused his personal theme – ‘the communication between people and people’ into different movie genres, which are having market value and gimmick. Genre movie is a commercial package, which included the theme, artistic pursuit, modern culture and western culture. Under the commercial package, Wong put his persistent theme of human motion and created his own theme and style in Hong Kong Movie. Style The Names of Wong Kar-Wai’s movies Every Wong’s movies have a clear name to the audiences even his first film (‘As Tears Go By’) doesn’t have a very strong style of Wong compare with the others. Merely, the hidden meaning behind the movie names are hard to understand, it is like we already lost our way when we first look at the movie name. Wong is well known, as he doesn’t prepare a script until the day of shooting. Therefore, it becomes very hard to capture his movies. For example, ‘Chungking Express’ (literal: Chungking Forrest) but you can’t find the trace of forest. ‘2046’ is an enigmatic figure. Wong is not only like start shooting films without complete script but also he has more different style. Wong always creates the name for the movie first, but he doesn’t base on the name to consider the plot. The name of ‘Chungking Express’ is come from the famous building ‘Chungking Mansions’ in Hong Kong. It is because Wong was told by his parent when he was young about Chungking Mansions is a horrible building, people and everything are very complicated. Chungking Mansions become a mysterious symbol in Wong’s heart. ‘Happy Together’ is from the traditional Chinese translation of a novel ‘The Buenos Aires’ Affair’, which is written by Wong’s favorite Argentine writer Manuel Puig. The first appear of ‘2046’ is when Chau Mo-Wan is closing the door, and the number badge on the door is ‘2046’ in ‘In the Mood of Love’. In 1997, the transfer of sovereignty from United Kingdom to the PRC occurred. Hong Kong under ‘one country, two systems’ will be ended after 5 0years. The year after 50 years is 2046. Wong had given 2046 different significations. In the movie ‘2046’, it represents a fantasy world. Music Wong has a strong and sensitive artistic sense. He is also very good at choosing different genre of music and applying them perfectly to the movie. The background music is just right into the film and staying at audience’s mind. In ‘Days of Being Wild’ and ‘In the Mood of Love’, Wong selected the music with the style of the 60s and 70s such as the song called ‘In the Mood for Love’ from Zhou Xuan was played by the phonograph player machine, the Jazz music ‘Quizas Quizas Quizas’. For matching the theme of martial arts in ‘Ashes of Time’, the music is majestic. Start from the prelude ‘A lonely heart’, it shows the dignified atmosphere and revealed the feeling from the heart of the agent and the other. ‘Chungking Express’, Faye keeps playing the song ‘California Dreaming’ to insinuate her love of California. Wong used ‘California Dreaming’ to tell the desire and the dream of Faye. The theme song ‘Yumeji’s Theme’ is a classic song in ‘In the Mood of Love’. No matter where the melody started, it can spur audience’s emotions. This song appeared seven times by following the slight changes between Chau Mo-Wan and Su Li-zhen. Scenes For a film, the most instant feeling that audience will receive is from the scene. Wong understand that and keeping up trying different kind of scenes. Wong Kar-Wai has a special preference of the small house in Hong Kong which is a special feature of this city. People are staying in a narrow space in most of Wong’s movie; it is the portrait of the crowded community in Hong Kong and the reflection of the world in Hong Kong people’s heart. The characters appeared in Wong’s film, they all had a closed heart such as Chau Mo-wan in ‘In The Mood of Love’, Yuddy in ‘Days of Being Wild’, Ouyang Feng in ‘Ashes of Time’, Lai Yiu-Fai in ‘Happy Together’ and Chau Mo-wan in ‘In the Mood of Love’. Wong Kar-Wai needs to write the script during the daytime, therefore most of the movie scenes occurs at the nighttime. There were also many rain scenes appeared in Wong’s movies. In ‘Days of Being Wild’, when Lulu knows that Yuddy going to Philippine alone, she walks under the heavy rain. In ‘Chungking Express’, when cop663 is waiting for Faye inside the pub, the rain was pouring. In ‘In the Mood of Love’, Chau Mo-wan and Su-Li-zhen were waiting together when it was raining. ‘In the Mood for Love’ The beginning of ‘In the Mood for Love’, Chau Mo-Wan couple and Su Li-Zhen couple live very closed to each other, they will visit landlord sometimes. Inside the narrow space, people suppose to be closer, such as Mrs Chau and Mr Chan became more intimate (betrayal). However, Chau Mo-Wan and Ms Su started having the alienation to their partners. At the same time, the alienation makes Chau and Ms Su become closer. Wong Kar-Wai deliberately put two families together and then use the feelings between people to people to re-organize and arrange their relationships. Fashion Su Li-Zhen is a typical Chinese woman. She doesn’t have any target in her life that she wants to achieve. Living and her husband are everything. When her husband cheated on her, she didn’t know what she should do. After, she started to put her mind to another man Chau Mo-Wan who also attracted by this enchanting woman. Ms Su in the movie is always wearing colorful Cheongsam, which is not only a traditional Chinese characteristic, but also the performance of Asian women’s body beauty. Cheongsam is a specific dress for woman who loves beautyin Hong Kong and China. However, there are other clothing options in 60s, but William Chang and Wong Kar-wai did not choose other costumes for her. Ms Su with Cheongsam is the woman that Chau Mo-Wan loves to see – a high class and unique woman. This is the natural development of the movie, which shows that Ms Su is a tradition of oriental, and tempting deviant woman. Cheongsam also leading the path of the film. When we lo ok at Ms Su’s move, we can see the rhythm of the film. We are not only can hear Nat King Cole’s singing but also we can ‘listen’ Ms Su’s steps. Her pace is a proper way of jazz which is created by her high heels, omega hair style and knee-length cheongsam. We cant see the rhythm if she is wearing a shirt and a throuser. Cheongsam is a representative dress in 60s and Nat King Cole is the popular Jazz singer at that time as well and gather all scenes, props and music, we know this film is exactly about 60s. Moreover, ‘Wonton’ (a traditional dishes in Hong Kong and Shanghai) and Cheongsam are the most representative icons of Shanghai. The sewing in Shanghai is the best all over China. In 60s, most of the trailors are from Shanghai. It is a small build of Shanghai in this Hong Kong movie when Ms Su is wearing a cheongsam and buying some Wonton for her dinner. When we look at Ms Su’s cheongsam, we realised that time is changing: worki ng, buying food,hanging out etc. The timeline in the movie is not by order. These are the fragments of her life, we realised that there is something building up between Chau Mo-Wan and Ms Su. Music The structure of the soundtrack is starts from Chau Mo-Wan’s dialogue and ended by Ms Su’s dialogue which are exactly the same script. Secondly, following by Shigeru Umebayashi’s ‘Yumeji’s Theme’ and the music at the middle of the movie plays by order and prefectly match the film. When you listening the soundtrack, it is like you are watching the movie as well. Mentioned earlier of the ‘Yumeji’s Theme’ which is the spirit of the whole film. It played everytime when the main characters appear, over and over throughout the film. The scene of Chau Mo-Wan was having dinner with Ms Su; the restaurant was playing Nat King Cole’s song. When Ms So told the secret which Chau Mo-Wan already known, the shot moves from right to back sliently and directed to Chau’s face. At the same time, it plays the song ‘Te Quiero Dijiste’. The fast rhythm of the beginning of the song is like telling the Chau’s psych ological reaction. Afterward, Nat King Cole’s music played again and the scene changed to the cigarette on Chau’s hand. There are many detail plot like that in the film including when two main characters were ordering the food in the restaurant. When the camera pan quickly between Chau and Ms So, Nat King Cole’s song still played slowly and brought out the ambiguous between two main characters. Nat King Cole is Wong’s mother’s favourate Jazz singer. Those three songs which used in the movie were the most popular songs at that time. Additionally, ‘In the Mood for Love’ also contained a lot of traditional opera such as Cantonese opera, Shaoxing opera. They are historic and precious. In 50s, there is a statement called ‘Radio Play’. It is not diffcult to see the effection of ‘Radio Play’ in the movie. The sounds were from the past and played through the radio to present. It makes the song become more attractive a nd effective. Galasso Michale, the music director in ‘Chungking Express’ also involved to the production of the soundtrack. He created two songs for ‘In the Mood For Love’ and there are 3 or 4 versions of each song. Matching with Nat King Cole’s Jazz, it achieves an excellent affection. The scenes There is an excellent and significant scene. The scene is about Chau-Mo Wan is pretending he is leaving Ms Su, and Ms Su cried because she is not willing to lost Chau. The scene appeared a set of straight lines, which are the bars, because the camera is reflected through the bars to Chau and Ms Su and it is like they are trapped in a cage, and lost their freedom. It is exactly the same with them situation – a married man and a married woman. Under the conservative society in 60s, they are living with invisible shackles. They lost the freedom to love publicly and they can only live under the pain. On the other hand, Wong used mirrors several times to express the relationship between entity and virtual body. This relationship reflected the other sides of Chau and Ms Su perfectly. When Chau and Ms So were writing the martial art novel in the hotel, the mirror reflected the virtual body of Chau and Ms So. They were have a short-term good time with self-indulgence. However in 60s, people cant be who they want to be or do what they want. Chau and Ms Su can only suppress their emotions. Conclusion Wong Kar-Wai made a great contribution to the Hong Kong movie industry. He changed the traditional narrative approach of Hong Kong movies, adding more personal elements and more in-depth to the local culture and life circumstances. The breakthrough of the ‘Hero Movie’ genre is an important starting point in Wong’s career. He also added the elements of female into the movies. Brotherhood in Wong’s approach, ‘Hero’ can die without glory, but they also have the feeling of love such as the last scene in ‘As Tears Go By’. Afterward, Wong had tried different kind of genre, such as ‘Chungking Express’ and ‘Happy Together’. His work is consistently about a theme: between people and communication. Wong is very well at using the music to express the emotions of the main characters. The music in the movies is not only the background music; it is also an important tool for bringing audiences into the movie and affecting their emotions. ‘California Dreaming’ in ‘Chungking Express’, the song ‘In the Mood for Love’ which is sing by Zhou Xuan was played by the phonograph player machine and the jazz music ‘Quizas Quizas Quizas’ in ‘In the Mood for Love’ etc. ‘In the Mood for Love’ is the most representative film of Wong Kar-Wai. It presented different areas in 60s including living conditions, thoughts, fashion and daily lifestyle. Cause by the living space in Hong Kong is narrow; it increased the intimacy between the neighbors. They will play mahjong, having dinner together and helping each other. It is a very good reflection of the special living style in Hong Kong. For the fashion, Cheoungsam is fully expressed the beauty of Oriental women and also the best representation of traditional Chinese culture. Under the conservative ideology in 60s, people can’t love the one they want to love; they can only enjoy the time secretly like the scene when Chau Mo-Wan and Su-Li Zhen were writing the martial art novel together. Today, many Hong Kong’s independent art films and you can see Wong’s style even in some commercial movies, but most of them are the simple copy, which are lack of creativities. Wong Kar-Wai’s film may not represent the whole film industry but he did point out the future of the Hong Kong cinema. Bibliography Books: David Bordwell, (2000) PLANT HONG KONG . POPULAR CINEMA AND THE ART OF ENTERTAINMENT. HARVARD UNIVERSITY PRESS. Stephen Teo, (2005) WONG KAR-WAI. United Kingdom: The Cromwell Press. Stephen Teo, (1997) Hong Kong cinema : the extra dimensions. London: BFI Publishing. Peter Brunette, (2005) CONTEMPORARY FILM DIRECTORS: WONG KAR WAI. United State of America: Library of Congress Cataloging-in-Publication Data. Cheuk, P.T. (2009) Hong Kong New Wave Cinema: 1978 – 2000. Bristol: Intellect. Stokes, Lisa Odham; Hoover, Michael (1999) City on fire: Hong Kong cinema. London: Verso. Poshek Fu, David Desser, (2000) Cinema of Hong Kong: History, Arts, Identity. Cambridge: The Cambridge University Press. Laikwan Pang, Day Wong, (2005) Masculinities and Hong Kong cinema. Hong Kong: Hong Kong University Press. Wimal Dissanayake, Dorothy Wong, (2003) Wong Kar-Wai’s Ashes of time. Hong Kong: Hong Kong University Press. Web page: Esolution. ‘In the Mood for Love’ Available at: http://www.wkw-inthemoodforlove.com/eng/homepg/homepg.asp (Accessed: 14 April 2011) Robert M. Payne. (2001) Jump Cut Website. Available at: http://www.ejumpcut.org/archive/jc44.2001/payne%20for%20site/wongkarwai1.html (Accessed: 14 April 2011) ‘Michael Galasso Music’ Available at: http://www.michaelgalasso.com/#home (Accessed: 14 April 2011) How to cite Popular East Asian Cinema, Essay examples

Thursday, December 5, 2019

animals Essay Example For Students

animals Essay Animal Research: is it worth it? Todays society is in a constant race to discover how disease affects the body and how to reverse those ill effects associated with disease. To begin we must understand the etiology of the disease, then its effects, and lastly how to treat the condition. At each of these steps, an animal model is often used, stirring the controversy involving the benefits from animal research and is it necessary to save human lives? The answers to these questions are often highly variable leaving those on one side asking is it worth it? While the other side pushes for more research and more answers. The Animal Welfare Act of 1966 currently strives to establish acceptable standards for the treatment of animals, including those used in research. However, the animals exempt from this act include laboratory bred mice, rats, birds, cold-blooded animals, and farm animals. Therefore, of the estimated 20-25 million animals used each year in research, only a small percentage of laboratory animals are actually protected under this act. It is important to note, however, that regardless of not being rotected under this act does not mean that all of these animals are being ill- treated. On the contrary, many research institutions, in particular universities, are often strictly self-regulated. The Humane Society of America opposes the use of all animals in research and takes a strong position especially on the use of non-human primates. They argue that despite the reduction in the use of dogs and cats in research, the numbers of rodents used are still staggering. Also despite stricter regulation policies, by amending the Animal Welfare Act, as well as the addition of other new laws, as ecently as May of 2007, a medical doctor induced a brain aneurysm in an anesthetized dog to show how a medical device could be used by a group of salespeople. The salespeople, who had no knowledge of medical training, were allowed to attempt the procedure and afterwards the dog was euthanized. While it could be argued that this dog had no knowledge of its fate and did not suffer during the procedure, the use and ending of its life in such a manner could be considered unwarranted. Those people that feel animal model based research is necessary, are often in favor f the three Rs, Replacement, Reduction and Refinement, originally established by Russell and Burch in 1959. This idea while condoning the use of animals, pushes towards their eventual removal from research or at least the removal of those animals considered to be sentient. Animals considered being less-sentient such as invertebrates, early stage vertebrate embryos, and microorganisms are often those used as replacements. While this is not considered as the ultimate solution, overall the public at large views it as being more acceptable. The public opinion of animal se in research is often based on a mix of facts and misconceptions. Often those extremist groups strongly opposed to research, act out against institutions by releasing animals and destroying property, which in turn causes labs to have to be more secretive and hidden from public view. This becomes a vicious cycle in which animals such as Severe Combined Immunodeficiency, SCID animals has resulted in their death and undo suffering. While extremist groups may have good intentions, those animals released by them are often worse off outside than they were inside the laboratory. In my research experience, at the University level, I found strict policies in place from many sectors including the federal, state, and the university itself. Funding for animal based research is often difficult to acquire, and once a lab has it, their experiments are regulated by the Institutional Animal Care and Use Committee, (IACUC). .ua641775c517cc0e3bffb34ee63c93fd6 , .ua641775c517cc0e3bffb34ee63c93fd6 .postImageUrl , .ua641775c517cc0e3bffb34ee63c93fd6 .centered-text-area { min-height: 80px; position: relative; } .ua641775c517cc0e3bffb34ee63c93fd6 , .ua641775c517cc0e3bffb34ee63c93fd6:hover , .ua641775c517cc0e3bffb34ee63c93fd6:visited , .ua641775c517cc0e3bffb34ee63c93fd6:active { border:0!important; } .ua641775c517cc0e3bffb34ee63c93fd6 .clearfix:after { content: ""; display: table; clear: both; } .ua641775c517cc0e3bffb34ee63c93fd6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua641775c517cc0e3bffb34ee63c93fd6:active , .ua641775c517cc0e3bffb34ee63c93fd6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua641775c517cc0e3bffb34ee63c93fd6 .centered-text-area { width: 100%; position: relative ; } .ua641775c517cc0e3bffb34ee63c93fd6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua641775c517cc0e3bffb34ee63c93fd6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua641775c517cc0e3bffb34ee63c93fd6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua641775c517cc0e3bffb34ee63c93fd6:hover .ctaButton { background-color: #34495E!important; } .ua641775c517cc0e3bffb34ee63c93fd6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua641775c517cc0e3bffb34ee63c93fd6 .ua641775c517cc0e3bffb34ee63c93fd6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua641775c517cc0e3bffb34ee63c93fd6:after { content: ""; display: block; clear: both; } READ: Catherine The Great EssayExperimental protocols must be approved by a veterinarian, and if an alternative to an animal based model has been found to be acceptable, that direction is encouraged to be taken instead. The care and housing of a colony of thousand mice an cost thousands of dollars a month, so the 3 Rs are often implemented to offset costs. I found the animals which included mice, rats, rabbits, and chickens, at the University I worked for to be well looked after and any undo suffering was avoided. While animals were still sacrificed on a regular basis, those that performed the experiments were always supervised initially and well trained. When left with the dilemma of whether animal research benefits human society and if it necessary to save human lives, we must examine all of the achievements that would not have been possible without the use of animals. We have come a long way from the barbaric practices of the ancient Greeks and Romans, and while there is still suffering at some levels, we have made great strides in improving conditions. Animal based research, while often having the primary goal of human societal benefit, still can also benefit animals. For example, a chemotherapeutic drug developed in animals for use in people, may come back and be used by veterinarians. While the use of animals in research will continue to incite controversy, as long as both sides remain open, steps can be made to minimize animal suffering, ntil a time is reached when the service of animals is no longer required. Sources Animal Research Saves Lives, http://www. bresearch. org/survivors/, Accessed on Feb. 28th , 2008. Animal Testing, http://www. msu. edu/†hipchenm/atl/review2. html, Accessed Feb. 28th, 2008. The Humane Society of the United States, http://www. hsus. org/animals_in_research/, Accessed Feb. 28th, 2008. The University of Minnesota, Alternative use of Animals in Research, http:// www. ahc. umn. edu/rar/ethics. html, Accessed Feb. 28th, 2008. The Vivisection Quandary, Animal Experimentation, Where to Draw the Line http://

Thursday, November 28, 2019

The Disney Difference Essay Example

The Disney Difference Essay Guyette Luster MGT 301 17 March, 2013 Module 2: Case Application â€Å"Managing the Magic† Assignment Page 121 (1-4) 1. What is the Disney Difference and how will it affect the company’s corporate, competitive, and functional strategies? Answer: The â€Å"Disney Difference† is Disney’s marketing strategy that has basically kept the brand afloat throughout the recession years. Disney has been able to market well by staying with a large amount of products and services to add value to the brand. The Disney Difference will affect the corporate strategy (Coulter, DeCenzo, Robbins, 2011) since they are expanding into Hong Kong and have already organized an amount of funding they will need to finish the project. The Disney Difference will affect the competitive strategy (Coulter, DeCenzo, Robbins, 2011) by staying with the times. Disney was once viewed as just a child-loved place. With the future ventures that Disney has decided to invest in, the company should do very well in its category and stay very competitive in nature. The Disney Difference will affect the functional strategy (Coulter, DeCenzo, Robbins, 2011) by the amount of marketing and research they have invested in as well. Customer service will also be researched. Surveys and customer reviews could play a role in the functional strategy. 2. What challenges do you think Disney might face in doing business in Russia? How could Iger and his top management team use planning to best prepare for those challenges? Answer: Expanding into Russia is a very uncertain challenge. We will write a custom essay sample on The Disney Difference specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Disney Difference specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Disney Difference specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The brand has done very little with Russia but the management team has already used planning to delve right in. They have planned to start with televised Disney programming (Coulter, DeCenzo, Robbins, 2011), a planning strategy that is very specific, but flexible. Television programming can be pulled if they do not do as well as planned so they really are not starting out huge. Another way Disney can plan with their management team is to start planning phase two in Russia with a time frame of televising and marketing. Maybe put Disney products in local malls if not already doing so. Marketing and research are two very important roles in a successful brand. 3. With the announced expansion of Disney’s Hong Kong Disneyland, what goals might the company set? What type of planning will be necessary? Answer: Time frame will be an important goal for this specific project. The money has been evaluated and the length of time has possibly already been calculated. All organization departments need to be putting together individual goals that should be approved by top management. Open communication is also very important for a project this size to be successful. Specific directional planning should be in use for this project. Every department must be given a specific goal and plan to develop in such a large investment. 4. How might Iger and his top management team use the strategic management process to â€Å"keep the magic coming† in the current economic climate? Answer: Planning and analysis are the first two ways to â€Å"keep the magic coming† (Coulter, DeCenzo, Robbins, 2011). After, the management needs to formulate a plan and adhere to their short-term/long-term goals (Coulter, DeCenzo, Robbins, 2011). Implementing those strategies and goals are the next step (Coulter, DeCenzo, Robbins, 2011). Evaluating the results and researching the customer reviews or the marketing strategies (Coulter, DeCenzo, Robbins, 2011). This is to ensure that the company is making the profit necessary to stay on top. References Coulter, M. , DeCenzo, D. , Robbins, S. (2011). Pearson Custom Business Resources. Boston, MA: Pearson Learning Solutions.

Sunday, November 24, 2019

When Should I Ask for a College Recommendation Letter

When Should I Ask for a College Recommendation Letter SAT / ACT Prep Online Guides and Tips I remember worrying about the perfect time to ask for recommendation letters. Too early, I thought, could seem like over-planning; maybe my teachers would even forget by the time deadlines rolled around! Too late, though, would suggest a lack of preparation or could even offend my recommenders. It seemed like the stars had to align just right. If you’ve had any of these same concerns, you don’t have to wonder anymore. This guide will discuss the best times to ask for recommendations, plus why it’s important to have good timing in the first place. To start, what should you consider as you figure out when to ask? What Matters As You Decide When to Ask? There are a few main factors that influence when you should ask for recommendation letters, each of which I’ll talk about in more detail below. In a nutshell, these factors include the following: your college deadlines your teachers’ preferences your school's policy the year in which you had your teachers Some of these factors are easy to define - like your college deadlines - while others may offer a little more flexibility. Read on to figure out which ofthese scenarios applies to you, as well as what it means for your rec letter request schedule. Let’s begin with the general (though not necessarily definitive) golden rule: Ask At Least a Month Before Your College Deadlines Unless your school or teachers set other policies, you should ask for recommendation letters about four weeks before your college deadlines. If your deadlines vary, then ask four weeks before your earliest one. What exactly does this look like? If you’re applying to meet a November 1st early action or early decision deadline, then you should ask your teachers by October 1st. If your deadline’s November 15, then ask by October 15th. You get the idea. If your deadlines are regular decision, then they might be around January 1st or January 15th. In this situation, you could ask by the time December rolls around. However, consider everything that goes on in December. December is full of midterms, which means lots of grading for teachers, plus manydays off from school. You can also assume that most students have made their rec letter requests earlier in the semester. For regular decision deadlines, I would suggest asking by mid-November at the latest, to take into account the busy scheduleandvacation daysin the winter months. You may be wondering why teachers need a month to write a letter. For one thing, they’re not just writing you a letter - some teachers have dozens of letters to write, and most counselors have hundreds! Besides that, rec letters take time and thought to do well. You don’t want a rushed, subpar letter because you waited too long to ask for it. While giving your teachers about a month before your deadlines is generally a safe rule, it’s not the end-all, be-all answer. Your teachers and school might tell you to ask even earlier. Let’s consider what policies teachers set, followed by what your school guidance department might tell you to do. Everyteacher might have their ownpersonal preference. Ask According to Your Recommenders’ Preferences Teachers are busy. They have to teach several classes a day for hundreds of students, not to mention all the planning and grading that goes on behind the scenes. Plus, despite what we may have believed in elementary school, they don’t live at the school. They have lots going on in their personal lives, too. My point is that recommendation letters are another task on top of an already packed schedule. Just as you should give your teacher plenty of time to write your letter, your teacher might set certain policies to make the workload more manageable. She might set a rec letter request due date, or set a cap on how many letters she’ll write. It’s your job to find out what your teachers’ policies are. If you can’t find out from older students or through word of mouth, then you should ask your teacher when she prefers to get requests. Find out if she sets a deadline or limit. If she sets a cap, try to get a sense of how popular a recommender she is. If you know your English teacher, for instance, gets inundated with requests, get yours in early. Ask her in September or, better yet, in the spring of junior year. You don’t want to ask a month before your deadlines only to find that your teacher’s too busy or has stopped accepting requests. Generally speaking, your teacher will appreciate that you’re being thoughtful, proactive, and giving her plenty of time. Along similar lines, your guidance department may give you instructions about when to ask. Ask According to Your Guidance Department’s Instructions While individual teachers may set their own policies, your guidance department may also have a blanket rule for all college-boundstudents. Some schools, for instance, have students ask in the spring of junior year. Others tell students to submit three teacher preferences to their college counselors, who will then assign everyone two (and thereby balancethe numbers more evenly). Other high schools tell students to ask in the fall of senior year, and still others have no particular guidance - they leave it up to each student to figure it out. If you haven’t received directions, visit your school counselor and ask her about the general expectations. They may determine whether you ask in Aprilof 11th grade or September of 12th. Finally, there’s one more consideration that may alter your request timeline: the grade in which you had your recommenders as teachers. Don't wait so long that your teacher forgets who you are! Also, just keep swimming. Ask Your Teachers At the End of their Class or School Year Remember that classic first day of school assignment,"Write about what you did over the summer"? Well, what if your teacher asked you to write in vivid detail about what you did three summers ago? Just as you might have trouble remembering the specifics, your recommenders mightnot be able to produce the clearest memories if they had you in class years before you make your request. While it’s advisable to ask your junior year teachers, some students reach back further and have their freshman or sophomore year teachers recommend them. If you had a great connection with a 9th or 10th grade teacher and feel they might make a strong recommender, then you should ask them sooner rather than later. Instead of waiting until senior year, you should ask them at the end of the year you had them, ie, at the end of 9th or 10th grade. Similarly, you could ask your junior year teachers at the end of 11th grade, rather than waiting until after summer break. Even if you don’t ultimately use the letter, you can have it on file just in case. Plus, asking early helps in any of the other scenarios mentioned above: you give your recommenders (more than) a month before your deadlines, you beat the rush of requests, and you get your request in before any ofyour teachers’ or guidance department’s deadlines. Win-win-win. If you’ve learned about the rec letter process, then you know more goes into it than simply asking your teacher to write you one. You additionally want to provide a resume and a thoughtful brag sheet. If you’re asking especially early, then you could make the request and follow up later with all this info. You’ll show your recommenders that you’re proactive and goal-oriented; then you can send along your recommendation packet once you’ve prepared it. Now that you have a sense of when students typically ask for recommendations and why, how can you figure out when exactly YOU should ask? So When Should You Ask for Your Recommendations? To determine when you should ask your recommenders for a letter, you need to do your research. Make sure you know all your college deadlines, for starters. Then figure out whether your school has any guidance about when to ask, like in April of 11th grade or September of 12th grade. Figure out who you're going to ask in junior year, so you can find out if your teachers set any deadlines for or caps on requests. If you're a younger student, you should think about whether any of your teachers would make for strong recommenders. If so, then consider asking them at the end of the school year. The latest that you should ask for recommendations is October of senior year for early deadlines and November to December of senior year for regular deadlines. To be safe and proactive though, as well as to keep yourself fresh in your teachers' memories, you'd do well to ask in March, April, or May of junior year. Asking early will not only give your teachers the time they need to write a well-crafted letter, but it will also give you peace of mind. Apart from following up with a reminder and thank you note, your work on recommendation letters will be done! Then it will be up to your recommenders to upload their letters, and you can focus on finishing up the rest of your college application. What's Next? As you can tell, a lot of planning and strategy goes into your recommendation letters. Why are rec letters important in your application? Whatdo admissions officers look for when they read them?Find out more about the role of rec letters in admissions decisions in these guides. There are lots of other steps that go into applying for college, like scheduling your SAT/ACT and writing your personal essay. Check outour complete guideto applying to college, from 9th grade up until senior year. Want to improve your SAT score by 160 points or your ACT score by 4 points?We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

Thursday, November 21, 2019

Climate Change in Boreal Forests Research Paper

Climate Change in Boreal Forests - Research Paper Example According to the research findings the shifts occurring in climate is hence highly likely to affect the forest areas as well, due to the change in precipitation conditions, leading to an expansion in some forest areas, particularly those falling within temperate zones; and contraction in certain other areas, such as those witnessed in the Boreal forest regions and the tropical forest regions. The changes are believed to have occurred due to the change in global climate and precipitation levels, over the years. Although it is highly difficult to predict with accuracy, the exact change in forest areas, which can directly be attributed to climate change. There are various evidences based on empirical research on the subject and other available literature, which is discussed in the following sections. Research suggests that the factors such as climate change fuelled with unsustainable human activities such as deforestation and extensive land conversions are driving the deterioration of f orests and natural habitation worldwide. According to Burton et al such activities is likely to increase the risk of natural disasters such as forest fires especially in forest areas which have low precipitation and is prone to dryness in the weather as is observed in the Boreal forest range. The conifer-dominated Boreal forest comprises of almost one third of the earth's forest systems covering approximately 1.7 billion hectares stretching across Scandinavia, Alaska, Russia and northern Canada. (MNR.org, 2012). Almost two thirds of this forest range is located in the Eurasian region and the remaining one third in the Canadian province and Alaskan region (Hare and Ritchie, 1972). In Canada the boreal forest spans over a region of 290 million hectares and extends from the Great Lakes-St. Lawrence forest in Ontario to the lowlands in Hudson Bay. The Boreal forest comprises of a vast and varied range of flora and fauna, ranging from larch, pine, spruce to fir, birch, aspen, willow and alder. The overall composition of the boreal forest i.e. the natural vegetation, the soil, and the climate is relatively simple yet its interaction with the external forces as a result of climate change, such as the availability of necessary nutrients, rising temperature, and the ecology of forces has added to the complexity and gravity of the issue (Bonan, 1989; Bonan & Shugart, 1989; Viereck & Schandelmeier, 1980). The uniqueness of the composition of the Boreal forest enables it to sustain in the cold weather and store the large amount of carbon deposits which are held in its organic soils (McGuire et al., 1995; Alexeyev & Birdsey, 1998). The fact that the mean global temperature are on a steady rise and the temperature rise in the Boreal forest region, due to climate change, has been recorded in the upper latitudes in Northern Hemisphere (Serreze et al., 2000). The large scale transformations in the forest management practices, owing to the increase in unsustainable human activi ties, have resulted in a simultaneous rise in the GHG emissions (Schlamadinger & Marland, 1996). According to researchers, there are various other factors which account to an imbalance in the forest atmosphere which are likely to have a far worse and negative impact on the ecology, as compared to the CO2 emission (Jackson, et al., 2008; Bonan, 2008). These factors arise from the manipulation of the earth’s surface due to human activities, and have the capacity to affect the reflectivity of solar power leading to instant heating up of the atmosphere in and around the area hence ultimately resulting in disturbance and unequal distribution of energy within the climate system (Marland et al., 2003). The following figure shows the change in